By AS’AD ABUKHALIL*
Lebanon often provided a venue for American and Western action films. In the 1950s and 1960s, it was a place of international intrigue and espionage where spies intersected with other spies, and where car chases on mountainous roads provided for good movie scenes. There were so many US and European movies shot in Lebanon in those times, with such titles: The Sell-out, Masquerade, Man on the Spying Trapeze, Agent 505, Embassy, among others. But that so-called peaceful Lebanon (where successive Israeli invasions and massacres don’t get a mention in Western movie accounts, and are rarely listed as the reason for undermining the old Lebanon—with all its flaws, inequities, and injustices) does not exist anymore. The Lebanese civil war provided a totally different venue for American action films that were to come in the 1980s. Continue reading →